Annual Image Competition

Meet our Esteemed Judging Panel

Bob Coates – M.Photog.M.Artist.Cr., CPP EA-ASP
  • Coates started taking photographs with an SLR borrowed from a friend for a vacation back in 1983. After successfully managing other peoples businesses for 14 years while photographing on the side, he decided to follow the quote “Do what you love and you will become a success.”

    In March of 1994 Bob left the restaurant business and took the leap to become a professional photographer. According to Bob,  “The wonderful thing about photography is the continual learning and growth. Every day is a new discovery, a new way of seeing and new way of processing images to see my reality come to life. In this business the variety never ceases to amaze me.”

    Bob Coates Photography “Specializes in not specializing” this allows him to come up with interesting new ways of photographing subjects. Combining the techniques of different types of photography and Photoshop techniques leads to new ways capturing images. People who hire Bob Coates Photography do it not just for the expertise – but also for the experience brought to the job.

    Published Magazines and Books: Caribbean Travel and Life, Cruise Travel, Scouting, Sedona Magazine, Kudos, Porthole, Realtor, Rangefinder, Shutterbug, Professional Photographer, Photo Electronic Imaging, New York Daily News Caribbeat, SignCraft, Sailing World and other magazines. Pro-Lighting Series: Nightshots, Pro-Lighting Series: Beauty Shots. Books published by Amherst Media written by Bob – Photographer’s Guide to Wedding Album Design & Sales and Strategies and Techniques for the Digital Photographer.

    Photographer, educator and author, Bob Coates is based in Sedona, AZ. See his photographers web site – successful-photographer.com. Check Bob’s photographic work out on his other web sites coatesart.net and bcphotography.com. Bob has Milky Way and Night Sky Photography Workshops and is available for mentoring.

Kristy Steeves, M.Photog, M.Artist, Cr, CPP, F-ASP
Aaron Hockley, M. Photog. Cr., CPP, FP-OR, HFP-OR, AFP-WA
  • Kristy Steeves graduated from Indiana University with two
    Bachelor of Arts degrees in journalism and political science. She
    worked as a television news reporter for 25 years before
    switching careers to become a professional photographer.

    She specializes in children, high school seniors, corporate headshots,
    pets, and wildlife. Kristy is actively involved in the photography
    industry serving as a PPA-approved international juror and vice
    president of Professional Photographers of Northeast Ohio.

    She has also served as an elected council member for PPA and for
    the Board of Governors with the American Society of
    Photographers.

    Kristy has won various awards including 4 television Emmy
    awards, PPA Diamond Photographer of the Year, Ohio
    Photographer of the Year and is a two-time finalist for the IPC
    Grand Imaging Award with 2nd place in the Photographic Open
    Album Category. She is also the recipient of the Imaging
    Excellence award.

    Kristy is a PPA webinar instructor, an Imaging USA speaker and has earned PPA’s 100EDU speaker bar. She is also the recipient of the ASP Gold Medallion and State Elite awards. She is an ASP Fellow – the highest honor a professional photographer can achieve. Only 133 photographers have earned this designation in the history of photography.

  • Aaron Hockley brings a mixture of expertise in both the technology and photography worlds.  His images have earned numerous state and national awards, and he represented Team USA in the World Photographic Cup, placing 6th worldwide in the Illustrative/Commercial category. Aaron is a Certified Professional Photographer who has earned the Master of Photography and Photographic Craftsman degrees.  Based in Vancouver, Washington, Aaron’s client work helps small businesses and individuals tell their stories.  He currently serves as the President of the Professional Photographers of Washington, and when he’s not behind the camera you can find him enjoying travel, board games, and craft beer.

Gena Tussey, M. Photog., M. Artist, Cr., CPP
  • Gena joined the Professional Photographers of America in 2008 and received her CPP in 2012, Master of Photography in 2016, Photographic Craftsman in 2012, and Master Artist in 2023.

    Gena was a double finalist and received a Grand Imaging Award in 2020. She was a finalist for a GIA in 2021 in Restoration and double finalist in 2022 for her work in Restoration. She also went Platinum for her case in 2022. She was a Top 32 in the International Photographic Competition (IPC) in 2023 for Children’s portraits and a Top 4 Platinum winner in IPC in Wildlife in 2025. She also earned her PPA Approval for IPC approved Juror in 2022. She is also a Merit Image Review (MIR) Juror.

    Gena is an animal lover, history buff, and Passport traveler. She enjoys building her own sets, props, and costumes to create quirky off-beat designs for clients and for her own personal happiness. She is an avid rockhound and enjoys being bullied by all her pets.

Announcement for a juror panel coming soon from Professional Photographers of East Tennessee (PPETN) with the PPETN logo at the top.
  • Announcement Coming Soon

Meet the PPETN Image Competition Committee

Betsy Bird, M.Photog.Cr., CPP, TPM, TSD

Betsy Bird, M.Photog.Cr., CPP, TPM, TSD

Hill Henry, CPP

Hill Henry, CPP

Steve Thomas, CPP

Steve Thomas, CPP

Jen Willis, CPP

Jen Willis, CPP

Karen Fox, M.Photog., M.Artist, TPM, TAD, TSD

Karen Fox, M.Photog., M.Artist, TPM, TAD, TSD

Jessica Millard, CPP

Jessica Millard, CPP

Holly Roznowski, CPP

Holly Roznowski, CPP

Image Competition FAQs

  • Navigating the world of image competition can be a bit daunting, especially when it comes to matting your images. But don’t worry, we’ve got you covered with some friendly, easy-to-follow tips!

    One of the key aspects of presenting your competition images is ensuring they have the right mat. A well-chosen mat can make your image look complete and professional, perfectly complimenting your work.

    So, what’s a mat made up of? It has two main components: the border and the keyline. The border is the area that surrounds your image, extending outward, while the keyline is a thin stroke that encircles the outermost edge of your image, creating a clear distinction between the image and the mat.

    Here’s a handy tip: Less is more! Aim for a mat that’s color-balanced and enhances your image without overpowering it. Stick to matching color themes and try to avoid strong textures or contrasting colors that might distract from your photo.

    When it comes to the keyline, subtlety is key. Keep it to a maximum of 5 pixels, though many judges prefer it to be 3 pixels or fewer. The keyline should act as a gentle border, not stealing the spotlight but instead framing your image in a clean, unobtrusive way.

    Remember, the goal is to enhance your image with a mat that complements and completes it, creating a harmonious and professional presentation.

    Need more help? Check out this video here for additional guidance.

    For an automated process to learn how to make a mat and border in Photoshop Click here

  • Creating a guide image is an essential step in image competition. A small representation on your mat shows the judges the various elements used in your image. Sometimes, photographers use stock images for certain components in their finished pieces.

    For Photographic Open categories, if you’ve used any elements that you didn’t create, you need to reference them with a guide image. This includes things like sky replacements or any graphic elements added to enhance the overall image.

    For Master Artist entries, it’s a bit more detailed – you must include guide images for every element used in your composition, no matter where they came from.

    Copyright Note

    If you incorporate any image elements that you didn’t create and they’re not stock or covered under fair use, you MUST have a release or permission from the original creator. No exceptions.

    You also cannot copy and paste images from external sources like social media into your work unless you have obtained the appropriate legal usage rights.

    By following these guidelines, you’ll ensure your entries are both stunning and compliant.

  • Short answer: YES!

    So, why does it matter? Titles are often called “The 13th Element” because they add a layer of storytelling, showcase your creativity and amplify the impact of your overall presentation when announced. Even a fantastic image can lose points if it has a poorly chosen title.

    Here are some quick tips for titling images:

    • Wordplay: A clever play on words or phrases can go a long way

    • Short & Sweet: Titles are read aloud when your image is displayed for the judges. “Moose Caboose” is going to resonate better than “3 Moose standing in field walking to the left”.

    • Alliteration is helpful!

    • Clarity: Don’t be too esoteric. Make sure that the judges are going to “get” your title.

    • Emotions: If your title can make a judge laugh, cry, smile, or gasp, you have gone a long way in developing impact for your image.

    Competitions often involve scoring between 50-200 images. Imagine if your image is near the end of that very long list. How can your title grab the judge’s attention? Instead of “Alligator swimming away in lake” consider something like, “See ya later, Alligator”.

    With a great title, you’ll ensure your image stands out and leaves a lasting impression.

  • Entering an image competition isn’t about outdoing others. Photography is an art form, and like all art, it’s subjective. Sometimes, you’ll come out on top; other times, you might question everything. That’s the nature of the game!

    The main goal of any great image competition is to educate. You can learn so much just by participating. Remember, this isn’t about collecting Facebook “likes.” We’ve all seen less-than-stellar images get plenty of “likes” on social media (thanks, Mom!).

    Participating in competitions is about putting yourself in front of a panel and learning how to improve and elevate your craft. If you disagree with the judges, seek a critique or ask for advice from a colleague. You might be surprised at how small details can make or break an image. When you start considering these elements during image creation, your work will begin to shine, and you’ll find your unique voice as an artist.

    So, who are you competing against? The answer is simple: You!

  • You can find all the rules on the Rules Page here.

  • You can find examples and categories on the Categories Page here.

  • You can enter a maximum of 10 images.

  • Wondering about the right size for your competition image? Don’t worry, we’ve got you covered. You can find all the details about what you need to know in the rules page here.

    Here’s a quick run-down:

    • Dimensions: Your finished image, including the mat, should be 4000 pixels on the longest edge.

    • Format: All images must be saved as high-quality JPGs with an embedded color profile (sRGB).

    It’s crucial to review the image specifications for each competition to make sure you’re submitting an image with the correct dimensions.

    Note about DPI:

    DPI (dots per inch) is a term used for print specifications and isn’t relevant for digital-only images. As long as your high-quality JPG has the appropriate pixel dimension of 4000 on the long edge, you’re all set!

    Keep these tips in mind, and you’ll be ready to showcase your work in its best light.

  • TNPPA Competitions:

    Resubmitting Lower-Scoring Images: If you previously entered an image in a TNPPA Competition and it scored 79 or below, you can rework the image and enter it into a PPETN competition.

    High-Scoring Images: Images that scored 80 or above in a TNPPA competition can not be entered into PPETN competition.

    Merit Image Review (PPA/MIR)

    If you have entered an image to PPA’s Merit Image Review (2023 and forward), you may enter it into PPETN competition regardless of merits received from PPA.

    Just remember that MIR size requirements differ from PPETN competitions so double-check your file size before submitting.

    International Photographic Competition (IPC)

    If your image earned a medal in IPC (Top 32, Top 16, etc), it is not eligible for local-level competition (PPETN).

  • Wondering what printcompetition.com is all about and why you need an account? Let’s break it down!

    A lot of work goes on behind the scenes to prepare for an image competition. The platform at printcompetition.com helps streamline every aspect, from setup and judging to spectator apps and payment processing for entries. It’s a one-stop-shop that makes managing competitions much more efficient.

    We require each participant to register for a basic account, which costs a modest $14 per year. This basic account is essential for participating in our competitions. If you plan to participate in Merit Image Review or other state competitions, we highly recommend getting a premium account ($18/quarter or $67 annually). A premium subscription offers a wealth of resources, including access to archived image competitions from various areas, judges’ audio (when available), scoring details, and much more. It’s an invaluable learning tool for anyone serious about competing.

    The platform is free for organizations to use, with operating expenses covered by participant subscriptions. PPETN greatly appreciates the robust features of this platform and the hard work that has gone into its creation. We’re also thankful to those who subscribe to the premium account, as it helps keep costs down and supports the development of new tools.

    By using printcompetition.com, you’ll have access to an efficient and comprehensive system that enhances your competition experience. 

  • Competition entries can be uploaded starting 30 days before the event. Please pay attention to the deadline to upload images on printcompetition.com.